Give the Animation a World You Can Hear.
Sound design and audio post for animation studios that need every movement, reaction, environment and transition to feel intentional—even when nothing in the frame made a sound on set. Because there was no set.
Animation Starts Quiet. We Fix That.
In animation, sound is not polishing an existing world—it is helping invent one. Every gesture, prop, environment and comedic beat needs a sonic point of view.
Character & Movement
Footsteps, cloth, reactions, props and movement are designed to reinforce personality and performance.
World-Building
Backgrounds and environmental design establish scale, location and continuity—even when the world does not exist anywhere outside the timeline.
Comedy & Timing
Sound can sharpen a gag, sell an impact or create anticipation without stepping on the performance.
Series Consistency
Recurring characters, locations and signature sounds can be carried across episodes so the sonic world stays coherent.
Sound That Supports the Animation, Not Just the Action.
From short-form character pieces to episodic and narrative animation, the soundtrack is built around performance, timing and story.
Sound Design
Custom effects, movement, impacts, environments, transitions and signature sounds.
Dialogue Editing
Shape recorded dialogue and VO for consistency, pacing and mix readiness.
Music Editing
Adjust cues around animation timing, transitions and changing runtimes.
Final Mix
Balance dialogue, music and dense effects without turning the soundtrack into a polite argument over who gets to be loudest.
A Straightforward Post Workflow.
Spot
Review picture, creative direction, references, characters and recurring sonic ideas.
Build
Create effects, backgrounds and designed moments around performance and animation timing.
Refine
Dialogue, music and effects are shaped together through review and revision.
Mix & Deliver
Final mixes and required versions are prepared for the project’s release format.
Yukio KusumotoSenior Director of Animation · SEGA of America
Useful Before the Deadline Gets Interesting.
Sound Design for Animation: What Studios Should Plan Before Final PictureREAD →
Animation Audio Post Workflow: Dialogue, Effects, Music & Final MixREAD →What Happens After Picture LockREAD →How Much Time Should You Budget for Audio Post?READ →What Producers Should Know About Final Mix DeliverablesREAD →
Common Questions.
Can you build sound from a mostly silent animation timeline?
Yes. That is a normal animation workflow. Effects, backgrounds and designed movement can be developed from picture and creative references.
Can you create recurring sounds for characters and locations?
Yes. Signature sounds and recurring sonic ideas can be developed and carried consistently across a series or campaign.
Can you work from animatics before final animation?
Yes. Early spotting and sound development can begin from animatics when the production benefits from testing timing or creative direction before final picture.
Do you handle dialogue and final mix too?
Yes. Dialogue editing, sound design, music editorial and final mixing can all be handled as one workflow.
Have an Animated Project That Needs a Sonic World?
Send the current cut or animatic, runtime, schedule and creative direction. We can build the sound around the character, timing and story.